More about this TED Talk:
When Colin Stokes’ 3-year-old son caught a glimpse of Star Wars, he was instantly obsessed. But what messages did he absorb from the sci-fi classic? Stokes asks for more movies that send positive messages to boys: that cooperation is heroic, and respecting women is as manly as defeating the villain.
Why you should listen to him:
Colin Stokes divides his time between parenting and building the brand of Citizen Schools, a non-profit that reimagines the school day for middle school students in low-income communities in eight states. As Managing Director of Brand & Communications, Colin helps people within the organization find the ideas, words and stories that will connect with more and more people. He believes that understanding the human mind is a force that can be used for good and seeks to take advantage of our innate and learned tendencies to bring out the best in each other and our culture.
Before starting a family, Colin was an actor and graphic designer in New York City. He starred in the long-running off-Broadway musical I Love You, You’re Perfect, Now Change, as well is in several musicals and Shakespeare stagings. But he jokes that he seems to have achieved more renown (and considerably more revenue) for his brief appearances on two Law & Order episodes.
Kottke does a nice round-up of sites’s comments on the Lost finale. Many of them express what I’ve heard as a common theme among fans – it’s okay that all of the questions weren’t answered, because most of them were. The major storylines were wrapped up.
io9, on the other hand, came up a with a list of 50 questions that they felt Lost really did need to answer with their series ending show, and a tally of what was actually covered and what was left open (more questions than not, unfortunately).
I’m with io9 on this one. Sure, red herrings are a mystery tradition. But they’re always exposed as red herrings in the end. That’s just good storytelling to wrap up the loose ends. Lost left way too many of them. Writing them off as unimportant is just yanking people’s chains. People who don’t think much may be okay without all the mind-benders solved. But thoughtful people want real closure in their storytelling. I wonder how many of the “it’s okay, they don’t have to explain everything” folks read novels regularly.
And I’m really dissatisfied with the ending as well. If you’re going to sell me a series of religious programming, label it as such so I can watch the sci-fi channel instead. Don’t disguise your religious blah blah blah as science fiction for 5 and a half seasons and then zing me with mysticism at the end. It’s pretty clear that the writers very much wrote themselves into a corner. They didn’t have an end in mind when they started, and they got a giant kick out people’s excitement at the layer-upon-layer of mysterious events, so they kept laying it on thick even after they had laid out so much they couldn’t explain it all. I cry deus ex machina foul. My fierce belief in free will over fate leaves me feeling this series was ultimately a giant turd.
I’m hoping that with on-demand technologies, television writing will start moving in the direction of series treated as long mini-series – with a completely plotted story line from beginning to end and more tightly written detail, rather that completely open-ended affairs that peter off after awhile. Television programs do have a predictable end point, no matter how popular they are. Using that to create a real story that holds together throughout would be much more satisfying.